Showing posts with label Cream Foundation. Show all posts
Showing posts with label Cream Foundation. Show all posts

Illamasqua Loves... Lucy Gibson Make-up Artist

Tuesday, February 9, 2010
One of the things that I love about working at Illamasqua is hearing about all the shoots and shows that our artists have worked on. One of the hardest working freelancers I have met is Lucy Gibson. I frequently receive texts from her about who she is working with and where they are working - for instance, recently she has worked on diverse shoots such as the come-back video of Bananarama, Agent Provocateur's latest shoot and a SHOWStudio shoot with Nick Knight amongst many, many others.

So, I thought I would showcase some of Lucy's work right here for you all to see. I took inspiration from the berry lip girl today - I have layered on Medium Pencil in 'Severe' to match my new burgundy coat [I say new; my pregnant friend gave it to me... she can't fit in it anymore, what a shame!] - and Lucy has given me a breakdown of the look below...

"The berry lip girl is wearing Satin Primer (which I use for almost all shoots!) and a little light foundation, with a touch of Cream Blusher in 'Dixie' low on the apples of the cheek for a tomboyish, wind-kissed look. To open the eyes I added Medium Pencil in 'Vow' on the waterline and clear mascara to Alison's fantastic lashes. The lips that go so well with the model's gorgeous fair complexion were made up of a base of Lipstick in 'Poison' finished with a slick of Intense Lipgloss in my favourite shade; 'Repulse'."

"This was a shot from work I regularly do with Nevs model agency and the fantastic photographer Lee Mofo, who's recent clients include Firetrap, FrostFrench and 28twelve. We hold shoot days for the agency at my warehouse studio and often shoot up to 8 girls a day, so it's important to create strong, camera ready looks with minimal time and product. Illamasqua's huge colour pay-off and great range of shades makes my job a lot easier, and needless to say my male flatmates never complain about having a house full of gorgeous models!"

"The dark, smoky eye was created for a Shoreditch clothing label called Blank, shot in the City with the fantastic Odi Caspi. Despite dodging heavy downpours of rain and having to adopt a somewhat guerilla approach to shooting to avoid the hoardes of rather unfriendly security guards, we managed to get some fantastic shots on the day!"

"Our stunning model Ashley had incredible blue eyes with a great fierce stare that I wanted to accentuate, so taking inspiration from the runways of Versace, I created a very dramatic smoky eye. I used Medium Pencil in 'Sophie' as an eyeshadow - drawing it onto the entire lid, waterline and below the eye, then using my fantastic Illamasqua Blending Brush I, II and the Eyeshadow Brush to disperse and blend the colour into a dramatic wing around the eye. I set this with Powder Eye Shadow 'Incubus' then added Powder Eye Shadow in 'Truth' to the brow bone right up to the eyebrow which was filled in with Illamasqua Powder Eyeshadow in 'Boomerang'. To finish I added lashings of Illamasqua Volume Mascara and a touch of Sheer Lipgloss in 'Brilliant' to the inner corners of the eye to give a tarry, rock chick look." [Note: Tarry! Awesome word for the look I think *mentally adds to dictionary*...]

"The skin was created using Satin Primer again, with Cream Foundation buffed into the skin using Blending Brush II (I love using this brush with foundation, it really gets into all the "nooks and crannies" giving the fantastic coverage of our foundation, but with the texture and feel of natural skin). I contoured the cheeks with a darker shade of Cream Foundation (this will differ from person to person, ask one of Illamasqua's fabulous on counter artists to match your skin tone!) before finishing the look with another of my favourite products, Lipstick in 'Submit', pressed into moisturised lips with the finger tip."

On an all day shoot like this, it's important to use longwearing products, especially in the rain, and luckily with Illamasqua's range I don't have to compromise my creativity for durability :)"

Halloween Looks From Illamasqua!

Tuesday, November 3, 2009
I hope everyone had a great Halloween! I almost forgot about it as we had been concentrating on the first anniversary of Illamasqua, so I loved it when some of the pictures from Propaganda's [our creative partner] Halloween party started to sift through to my inbox!

I am loving what our Account Manager Natalie did - an evil ladybug! Inspired choice, Nats!


I gave the normally platinum blonde bombshell a call to find out what she used...

"Well, the lashes are from a fancy dress shop," she tells me, "but everything else is Illamasqua! I used the Cream Foundation in 100 and topped it off with Loose Powder in 100 for a semi-matte glow. I used Powder Eye Shadow in 'Forgiveness' on the cheeks to sculpt the look and defined my eyes and eye brows with Eye Liner Cake in 'Mislead'. I love mixing this product with the Sealing Gel for maximum longevity."

What about those high impact lips? "I lined them with Medium Pencil in 'Spell' and painted over the top with Intense Lipgloss 'Besotted' for a juicy red lip!

Natalie also spread the art to her fingertips, using Nail Varnish in 'Ruthless' for a rich red base and blobbing on Nail Varnish in 'Boosh' for the ladybug effect.

Here is Natalie with Jo, Julian Kynaston's PA. Jo is rocking the new Birthday Lashes in 'Decadence' as well as plenty of Dystopia! On her lips is the shocking pink Lipstick in 'Avenge' and she has Powder Eye Shadow in 'Matter' smudged around her eyes for a sexy smoky eye.

Ask An Artist: Foundation Shades Part II

Thursday, October 15, 2009
"I've researched online and seen the swatches of RF 215, 205 and 240. 205 looks like the right base of a yellow warm tone although I'm darker that than. Shade 215 looks good but I'm just worried about it being too pink/cool for my skintone (I'm of asian descent). So that's my only worry with this shade. Thanks for your help - Janice."

Halimah, who some of you may know is a freelance artist for Illamasqua, has recently joined the Illamasqua Head Office team, so I now have her infinite product and cosmetic knowledge on tap, yay! I've asked for her help in answering this question...

"Below, I've swatched the foundations on my face. I have swatched both the Rich Liquid Foundation and the Cream Foundation as the colours vary slightly on the skin with the
textures.

I have a light asian skintone. I would recommend that you go with the Rich Foundation in a 215 - there are slight pink tones in this shade, but overall it's a good, warm beige shade suitable for asian skins.

For your reference, from left to right: 210, 240, 215 and 205.

With the Cream Foundations, which are a brilliant texture for everyday or evening due to the
buildable coverage, I would perhaps say the 240 would be a good match. Like you said, you
could always mix it with a slightly lighter shade during the winter months or use it more sparingly - or why not try using it with the Satin Primer for a healthy glow [which we all need in Winter!]

From left to right is 205, 210, 215 and 240.

Hannah Marshall - Get The Look

Wednesday, October 14, 2009
I promised a Hannah Marshall SS2010 Get The Look a while ago so here it is. I just spotted Alex walking down Old Compton Street in Soho and it reminded me!

Hannah and Alex discussed the look prior to the show and agreed on a "very sexy, very desirable look. Something that was both soft and strong at the same time. I wanted to use minimal products and focus on the technique," Alex told me. "I wanted a real masculine, strong graphic from the front and yet when the model is on profile, it looks soft and ultra feminine." I have tried to source a profile shot, yet no such luck!

Face

Alex used Matt Primer to create a very matt, one dimensional base. This was then built upon using Cream Foundation to create a very real, but quite full coverage.

The strength of the look is based on the contouring. Alex told me she was going for a "slick goth" look. She used Powder Blusher in 'Rumour' to contour the temples, sides of the nose, cheeks and under the jawline and emphasised the hollowness of the cheek with Powder Blusher in 'Spite'.


Eyes

As previously mentioned, Alex wanted to use minimal products, so using an Eye Brow Cake mixed with Sealing Gel to create a strong line across the brows, she blended the colours down, mixing with a slate grey [try Powder Eye Shadow in 'Incubus'] concentrating the colour at the point where the side of the nose joins the eyebrow and fading down across the browbone and eye lid until there is minimal colour on the eye socket. Build up the concentration at the outer corner of the eye again. A touch of Pure Pigment in 'Furore', a nude champagne shimmer, on the centre of the eye lid added a touch of depth and photographed beautifully. This look used no mascara.

Lips

Alex painted over the lips with the Cream Foundation to tone down the colour of the lips and keep the focus on the brows and the cheek bones.

Swatches: Cream Foundations - the lighter shades

Thursday, October 1, 2009
In response to some recent requests, I have done a quick swatch of the lighter foundations colours.

To give some perspective, I am a 210 in Cream Foundation. I am also wearing Intense Lipgloss in 'Drag' - a lovely tangerine.

From left to right: CF140, CF135, CF120, CF110. Above without flash, below with flash.

I'm off on holiday tomorrow, so Lindsay will be taking over the blog posts next week!

House Of Blue Eyes - Get The Look

Monday, September 21, 2009
The androgynous/ futuristic/ Cleopatra/ Babylon/ Blade Runner-esque make-up was a work of art in itself. Alex Box tells me how she created the look...


Face

Smooth, glowing, glistening skin was the way forward. "As there was so much gold on the eyes, I needed to complement this with sparkling skin." Says Alex, "I mixed a small amount of Powdered Metal in 'Bebhionn' with Cream Foundation for the paler girls and Powdered Metal in 'Thalia' with Cream Foundation for the olive/ darker skins."

The face was heavily contoured with the Powdered Metals - 'Thalia' was used for a golden highlight whilst 'Erzule' was buffed in to cheekbones for an 80s, sculpted look. "These are the most versatile products" explains Alex, "They can be used on the body, face, cheeks... mixed with lipgloss creating a wonderful sparkling lip colour."

Eyes

The eyes were liberally painted with Liquid Metal in 'Solstice'. "We used a template by cutting some tape to mask the areas we didn't want to cover and then painted over this template. We then piled on the Liquid Metal in 'Solstice' with a foundation brush to create a smooth, even base of colour with which to contour on top."

Contouring was done with the Powdered Metals and a mix of Powder Eye Shadow in 'Lestat', 'Wolf' and 'Fallen' to create depth. Illuminator in 'Halcyon' was used to highlight under the brows and down the bridge of the nose and on the cupid's bow to catch the light.

Alex's trademark brow completed the look. "Mix a drop of Sealing Gel into Eyebrow Cake in 'Vehement' and stroke over the natural line of the brows using the Eyebrow Brush. Then go back over it and take the colour above and beyond the natual brow for a real Cleopatra look." Explains Alex, "balance this with the strong eye. We used False Lashes in number 15 on top for the spidery effect, and number 13s below to create a very open, framed eye."

Lips


To soften the effect of the strong eye, the lips were painted with a mixture of clear gloss [try Sheer Lipgloss in 'Brilliant'] and Cream Foundation. Some of the models had extravagant head gear on, and these guys had Liquid Metal in Solstice painted on for a pure molten mouth.

Ask An Artist: Foundation Shades

Thursday, September 10, 2009
Hi Illamasqua! I wanted to try either the Cream or Powder Foundation and was having a little difficulty in choosing a shade. I am of Asian (filipino) descent and am medium complexioned. Usually when I test foundations from different brands I land right smack dab in the middle of whatever shade range I am looking at. I am yellow based but have a bit of beige undertones in my skin as well. I don't think I have as strong a yellow undertone as do a lot of asian women. Can you please help?


Francesco and Gillian from Selfridges London have helped me out with this query:

"We think she may be 320. This would fall closest to the competitor shade that she mentioned.
230 will be to muddy in tone for her and 215 may be a little to light.

We would also suggest the Matt Primer - Asian skins can tend towards oiliness, so this primer would help to smooth out that out and rebalance the texture of the skin."

Francesco's Personal Appearance at BT2, Dublin 27th-29th August

Tuesday, August 25, 2009
Francesco Lo Cascio is a ten year veteran of the beauty industry. He began his studies at the London College of Fashion, where he studied make-up artisty. On completion of his formal training, he lent his crative skills and expertise to such various projects as the MTV Music Awards, the Academy Award nominated film Billy Elliot and as a freelance make-up artist with a client stable including Christy Turlington, Eva Herzigova, Destiny's Child, Kate Moss, Isabella Blow and the Sugababes.

Francesco's artistic talents also extends to the world of fashion, where he was worked behind the scenes at Fendi, Alexander McQueen, Alessandro Dell'Acqua and MaxMara.
Francesco has also contributed his talents to creating beauty looks for editorial features in publications such as Vogue Italia, Marie Claire (Italy), Vogue Bambini, You Magazine and Vogue Espana.

As an artist, Francesco acts as a liaison between the high fashion and consumer
worlds. His immense talent and experience enables him to understand and
exemplify all that makes Illamasqua truly unique, and his technique and
understanding of this brand trademark style make him an integral part of the team. I grabbed a quick word with him to find out a little more about him...


So Francesco, what is your favourite Illamasqua product, and why?

I love the Cream Foundation, as you can use it day or night because of the variable coverage. I buff it into the skin using the amazing Highlighter Brush.

Sealing Gel, used with the Eyebrow Brush with any coloured Powder Eye Shadow creates a great coloured mascara. Stroke the brush through the lashes to seperate and colour.

Who are your inspirations in the world of beauty/ fashion/ popular culture?



It would have to be Sophia Loren, Madonna, Gwen Stefani and Linda Evangelista. I have been very influenced by artists that I have had the pleasure of working with; Alex Box, Pat McGrath, Topolino... they are true artists.

What is your top tip?

I use the Medium Pencil in 'Sophie' thickly across the lash line. I then take some Pure Pigment in 'Fervent' and smudge all over the eye lid with the Eye Shadow Brush to create a smoky, elegant sparkling eye.

I also love to mix the Medium Pencils with Pure Pigments on the back of the hand prior to application - this creates so many new colours!

What would you say is your personal style?

I am a very minimalist make-up artist - I like to use as few products as possible to create a lot of different looks. I like products that are versatile and I love to use vibrant colours.

I have had many inquiries as how to best use the Illuminators. Can you give our readers some advice?

Yes - you can mix the Satin Primer with the Illuminator in 'Halcyon' to create dewy, glowing skin. On it's own, I would recommend smoothing the Illuminator down the cheekbones, nose and across the T zone to pick up and reflect light without making you look 'greasy'. I also especially recommend 'Fondle' [the peachy pink colour with gold particles] for black skin. It's the best!

Francesco will be making a personal appearance at the Illamasqua counter at BT2, Grafton Street in Dublin from the 27th - 29th August. To book, call +353 1 (0) 6056666 and ask for the Illamasqua counter.

Illamasqua Icons: Lol

Tuesday, August 18, 2009
Julian Kynaston, Chairman of Illamasqua, has chosen the character of Lol from the film This Is England as his Illamasqua Icon.

For those of you who have yet to see Shane Meadows 2007 drama - an insightful portrayal into the 1980s Youth culture; in paticular the original skinhead subculture - it has a riveting cast, including Vicky McClure, who plays Lol.

Julian tells me more:

"With three essential parts of Illamasqua being ....1) Youth Culture 2) Professional Make Up for stage and screen and also...3) Human Fundamentalism [our term for respecting everyone no matter what their background] one actress sums this up for me more than any other.

Vicky McClure’s roles have always engaged me. As an actress I think she is simply awesome. Her portrayal of Lol in Shane Meadows This Is England is stunning. Playing a skinhead in the role Vicky stands for the beliefs of the original skinhead culture and is disgusted by the new wave of racism that is sweeping the country and dividing her gang.

In this role she delivers to me all what I recall from my own youth is best about youth culture and the amazing feeling that goes along with being part of something. Vicky is an amazing actress...what I would call a 'serious' actress.

Vicky's look as Lol is seriously Iconic for me. The skinhead girls looked and still look amazing... if ever their was a unique look... this is it for me.

Vicky...where are you? Come and play with us here at Illamasqua. We love you!"


Vicky rocked the Punk/New wave look that was popular in the 1980s, with an androgynous mix of skinhead and smoky eye make-up. The pale skin and sharply contoured cheeks was part and parcel of the 1980's makeup looks - try Cream Foundation in 110 and Powder Blusher in 'Disobey' would give a similar look to the image of Lol, above.

The lips are left bare [how would Lol smoke with lipgloss on?!] and the eyes are smudged with charcoal. Try Medium Pencil in 'Sophie' for a glossy black or 'Errant' for a navy/grey.

Cabaret On Counter!

Wednesday, July 8, 2009
On Tuesday 7th July, the Illamasqua counter at Fenwick Newcastle welcomed a very special guest - Samantha Barks, who is playing Sally Bowles in the theatre tour of 'Cabaret' - currently showing at the Theatre Royal in Newcastle from 6th-11th July.

Samantha Barks shot to fame when coming third in the BBC TV Show 'I'd Do Anything' last year.

I spoke to Ursula, one of our brilliant Fenwick Newcastle artists, who created the signature Sally Bowles look on Samantha before her show began. "Samantha has a naturally gorgeous face that is strong enough to take a lot of make-up."

What products did she use? "Samantha has a peaches and cream complexion, so I used Cream Foundation in 215 and Loose Powder 135 to pale her skin tone down. I used Powder Blusher in 'Tweak'.

After using Eye Brow Cake in 'Thunder' on her brows [great for dark brunettes, see the Whatstyleistonickel video below for an idea of consistency and colour], I concentrated on vivid blues and greens to capture the essence of Sally Bowles. I used Powder Eye Shadows in 'Fiasco' a light greeny teal, 'Stalk' a darker teal, 'Anja', a creamy baby blue and the black 'Lestat' to create depth."
"Samantha wanted dark, dramatic lashes, so we went for False Lashes no 17 on top and no 14 on the bottom."




"On the lips I used Lipstick in 'Maneater' for a true, pillar box red. I topped this off with Intense Lipgloss in 'Fume' so a bright, lacquered finish."

"I also created a similar look on one of the supporting cast members! Samantha had a great time and loved her look. Chronicle magazine came down to interview her on the counter and this should be out sometime this week

*Thanks to Karen for the image of Lestat!*

Foundation Breakdown

Wednesday, July 1, 2009
Lure: Bring out the face kept hidden. The face of your bolder half. The faces that dares to take on the night...

I receive a lot of emails from international customers interested in our Foundations and asking if I can help them to pick out an accurate colour. I am of the belief that being able to actually try the product on your own face is the best way to judge if the colour is right, texture is suitable and that you like the finish that the product gives you! I hate buying a foundation and then getting home and seeing that it's all wrong...

For those of you who do like to buy foundation of the internet, I've had a chat with Katie, our Product Development Manager and composed a quicklist that will give you an insight into our foundations:

Rich Liquid Foundation


Texture: Extremely rich and thick, suitable for night-time make-up as it creates a fantastic base for colour application.
Performance: Flawless and opaque. Mixes beautifully with Satin Primer for a dewier look. Dries semi-matt.

Skin types: All
Colours:
100 - purest porcelain white
105 - our lightest 'skin' shade
110-145 - best for pale skins
205-240 - best for medium skins
320-335 - best for dark/ black skins
340-355 - blackest black - brilliant for theatrical use as opposed to a real 'skin' shade


Light Liquid Foundation

Texture: Lightweight and airy, with a very fluid consistency.
Performance: Beautifully easy to apply and very cooling. Dries to a dewy, light to medium finish.
Skin types: All
Colours:
100 - purest porcelain white
105 - our lightest 'skin' shade
110-145 - best for pale skins
205-240 - best for medium skins
320-330 - best for dark/ black skins
340-350 - blackest black - brilliant for theatrical use as opposed to a real 'skin' shade
Performance:
Skin types: All, especially combination to dry.


Cream Foundation


Texture: Cream compact that gives a rich, opaque finish but blends beautifully.
Performance: Has a mirror in the compact, so great for on-the-go touchups! Dries to a semi-matt finish with a medium-full coverage and can be used wet or dry.

Skin types: All, especially drier skin types.
Colours:
100 - purest porcelain white
110 - our lightest 'skin' shade
110-145 - best for pale skins
205-240 - best for medium skins
320-330 - best for dark/ black skins
340-350 - blackest black - brilliant for theatrical use as opposed to a real 'skin' shade


Powder Foundation

Texture: Matt finish creamy feel powder.
Performance: Can be used alone or over any of the foundations. Gives a full, matt finish. Also comes with a mirror for touching up on-the-go. To sheer it out a bit, use with a damp sponge or brush and it still dries matt.
Skin types: Especially good for combination to oily skin types.
Colours:
100 - purest porcelain white
105 - our lightest 'skin' shade
110-145 - best for pale skins
205-240 - best for medium skins
320-330 - best for dark/ black skins
340-355 - blackest black - brilliant for theatrical use as opposed to a real 'skin' shade

Thanks to Lucy, our lovely intern and Crispian, our Customer Services Manager for letting me paint their faces whilst they were trying to work! You can see how thrilled they are....!

I hope this helps! I will do similar posts for our Concealers and Powders - leave me a comment if you would like this, or any other similar info on our products.